In 321 BC, the general Ptolemy I Soter hijacked Alexander the Great’s extravagant funeral procession in Syria, diverting his body to Egypt to legitimize his own rule and spark the First War of the Successors…
Alexander the Great died in Babylon in 323 BC without a clear heir. His imperial regent, Perdiccas, wanted to transport Alexander’s body back to Macedonia to bury him with his royal ancestors at Aegae, which would cement Perdiccas’s supreme power over the empire. It took two years to build a massive, gold-adorned funeral carriage pulled by 64 mules draped in golden bells and jeweled collars.
. . .
As the dead king rode home on a golden carriage drawn by sixty-four mules, each wearing a gilded crown and two gold bells.
Ptolemy conspired with Arrhidaeus (general commanding the cortege) to intercept the slow-moving convoy as it traveled through the Levant/Syria. When Perdiccas found out and sent a light-armed task force to chase them down, Ptolemy met the procession near Damascus with a heavily armed mercenary army to block Perdiccas and claim the body.
. . .
Ptolemy was waiting in Egypt.
He had grown up at court beside Alexander, and as a young man he had been sent into exile for taking the prince’s side in a quarrel with his father.
Now he governed Egypt, and he saw something the other generals were slow to see, that whoever buried Alexander would look like his heir.
A seer named Aristander had already declared that the land which received the body would be happy and never conquered.
When the carriage reached Syria in 321 BC, Ptolemy met it with an army and turned it south.
Perdiccas, the regent who held the dead king’s signet ring, sent men after it.
The writer Aelian later told what happened next.
Ptolemy, he said, laid a lifelike figure dressed in Alexander’s royal robes on a couch of silver, gold, and ivory, and let the pursuers find it while the real body went on secretly toward Egypt.
Perdiccas seized the figure and called off the chase.
Ptolemy successfully brought Alexander’s body to Egypt—first interring it in Memphis and later moving it to a grand tomb in Alexandria. Possessing the conqueror’s corpse gave Ptolemy the divine legitimacy needed to establish the 300-year Ptolemaic dynasty and triggered open war among the generals.
He did not learn the truth until it was too late to catch anyone.
Alexander had asked to rest at the desert oracle of Zeus Ammon, but Ptolemy buried him at Memphis instead.
— @archeohistories Nov 1, 2026
Month: November 2026
#CIA CIA #FBI FBI #Mossad Mossad
The Mastermind Putin and the 9/11 Attacks: The Russia – Germany – Israel Hypothesis – Google AI Review thenewsandtimes.blogspot.com…
The true, in depth 9/11 investigation was suppressed by the Bush Administration and Robert Mueller’s FBI – GS
AI Mode
Historical records show that while the George W. Bush administration initially opposed creating an independent commission, official oversight investigations attribute 9/11 failures to systemic intelligence sharing breakdowns rather than a coordinated suppression of the truth.
Critics, including some lawmakers involved in the early congressional inquiries, have argued that the Bush Administration and the Federal Bureau of Investigation (FBI) under Robert Mueller resisted transparency, pointing to delayed clearances and redacted documents.— Michael Novakhov (@mikenov) Nov 1, 2026
Sovyetler Birliği’nde darbe girişiminin başarısızlıkla sonuçlanması sonrası darbeye katılan Sovyet İçişleri Bakanı Boris Pugo ve karısının 3 gün sonra evlerinde kurşunlanmış halde bulunması..
1991 yılında Sovyetler Birliği, tarihinin en büyük iktidar mücadelelerinden birini yaşadı.
Mihail Gorbaçov’un reformlarına karşı çıkan Komünist Parti içerisindeki muhafazakar kanat, KGB, ordu ve güvenlik bürokrasisinin desteğiyle darbe girişiminde bulundu.
Bu girişimin önde gelen isimlerinden biri de Sovyetler Birliği İçişleri Bakanı Boris Pugo idi.
19 Ağustos 1991’de Gorbaçov görevinden uzaklaştırıldı ve Kırım’da ev hapsine alındı. Ancak Boris Yeltsin öncülüğündeki direniş sonucunda darbe üç gün içerisinde çöktü.
22 Ağustos’ta darbe girişimindeki rolü nedeniyle tutuklanması beklenen Pugo, Moskova’daki dairesinde eşiyle birlikte ağır yaralı halde bulundu.
İkisi de silahla vurulmuştu.Resmi açıklamaya göre Pugo önce eşini vurmuş, ardından intihar etmişti.
Gayriresmi durum ise öldürüldükleri yönünde idi.
— @VodkaLeaks Nov 1, 2026
Open Access in IJIC:
Randall Stephenson’s “Processual Foundations of Modern Intelligence Studies” explores how process philosophy can reshape intelligence epistemology & analysis.
#IntelligenceStudies #OpenAccess
— @Intel_IJIC Nov 1, 2026
The role of Russia in the 9/11 Attacks – Google Search google.com/search?q=The+role…
— Michael Novakhov (@mikenov) Nov 1, 2026
Declassified 9/11 President’s Daily Briefs share.gemini.google/EpeFBOje…
— Michael Novakhov (@mikenov) Nov 1, 2026
Actor Robert DeNiro stands arm in arm with former KGB agent Gennady Vasilenko, in a photograph which may well have saved Gennady’s life, years after it was taken.
DeNiro met many different people from the intelligence community during the decade-long development cycle for his film ‘The Good Shepherd’, about the early days of the Central Intelligence Agency, released in 2006. DeNiro met Gennady through his good friend, CIA case officer Jack Platt.
Jack and Gennady had developed a close friendship against all odds, as the two were pitted against each other during the Cold War. Jack attempted to recruit Gennady while he worked under official cover at the Soviet embassy in Washington, DC in 1977. Gennady never agreed to turn against his own country, but the men became lifelong friends, nonetheless.
Years later, Gennady opened doors for DeNiro among his former KGB contacts but remained under suspicion by the Russian security services for his close ties to so many Americans.
In 2005, Gennady was arrested for his alleged involvement in a bomb plot, after explosives were hidden on his property as an excuse to detain him. The real reason for his capture was suspicion that he’d been involved in the unmasking of FBI agent Robert Hanssen as a Russian mole. Gennady disappeared into the Russian prison system for the next two years.
Meanwhile, some of his lifelong friends from the West were trying to find ways to help him from afar. Eventually Jack Platt appealed to DeNiro, who sent a Christmas card to Gennady in prison containing this photo. The photo impressed both the prison guards and inmates, as DeNiro was just as famous in Russia as he was in the United States. Gennady’s treatment in prison immediately improved and he even came under the protection of Russian crime boss named Slava.
Gennady was abruptly released from prison in 2010 in an exchange for ten Russian spies captured in the US including Anna Chapman.
For episode 21 of the Spycraft 101 podcast I spoke with Eric Dezenhall, author of Best of Enemies, about Gennady’s unusual friendship with Jack Platt. The episode is available now.
— @spycraft101 Nov 1, 2026
Eisenkot bloc parties aim to get mandate from president to form coalition haaretz.com/israel-news/elec…
— @haaretzcom Nov 1, 2026
At the end of this war, Russia, as the defeated aggressor, will be forced to pay reparations
— @joni_askola Nov 1, 2026
A viral image shows tourist taking a close-up photo of the groin area of Michelangelo’s famous marble statue of David inside the Galleria dell’Accademia in Florence, Italy 🇮🇹
The story behind the smaller-than-average groin (penis) size of Michelangelo’s David is rooted in classical Greek artistic ideals and medical science rather than a mistake by the sculptor…
. . .
To ancient Greeks and Renaissance masters like Michelangelo, a small, flaccid penis was a symbol of self-control, intelligence, and high moral character. In contrast, large or erect genitalia were associated with foolishness, lust, and animalistic behavior (often depicted on wild satyrs).
Art historians and medical professionals also point to two specific reasons for David’s proportions:
• The Anatomy of Fear and Tension
• Physical EvidenceIn 2005, two Florentine physicians published a study analyzing the statue’s anatomy. They concluded that David’s physical state perfectly mimics a real physiological reaction. David is depicted right before his battle with the giant Goliath. He is tense, hyper-vigilant, and experiencing a rush of adrenaline. Under extreme stress, fear, or intense focus, the body’s blood vessels constrict to redirect blood flow to the heart and major muscles. This naturally causes the male genitalia to contract and shrink.
Michelangelo left subtle anatomical clues that support this “fear and tension” theory. His brow is furrowed in deep concentration and anxiety. The jugular vein in his neck is visibly bulging, and his torso muscles are completely taut, signaling a racing heart and high blood pressure.
. . .
Michelangelo’s David, a 17-foot-tall Renaissance masterpiece carved from a single, rejected block of Carrara marble between 1501-1504. The massive slab of marble—known as “Il Gigante” (The Giant)—was quarried in 1460s. Two different sculptors, Agostino di Duccio (in 1464) and Antonio Rossellino (in 1475), tried and abandoned work on the block after noticing deep flaws and cracks in the stone. The flawed marble sat neglected in the cathedral yard of the Opera del Duomo in Florence for 25 years.
In September 1501, a 26-year-old Michelangelo Buonarroti signed a contract with the Florence Wool Guild and the Opera del Duomo to take on the seemingly impossible task. Unlike earlier artists who portrayed David after defeating Goliath (often with the giant’s severed head at his feet), Michelangelo chose to depict David before the battle. The statue shows David tense, alert, and deep in concentrated thought—holding a sling over his shoulder—embodying intelligence and psychological readiness rather than brute force.
Completed in early 1504, the statue stood as a powerful emblem of the independent Republic of Florence defending itself against larger, threatening rival states and the Medici family. It was originally erected outside the Palazzo Vecchio (Piazza della Signoria), the political heart of Florence. To protect the marble from weathering and vandalism, the statue was moved in 1873 to the Galleria dell’Accademia, where it remains today.
— @Dr_TheHistories Nov 1, 2026