RT by @mikenov: The man erased from the 1948 photograph is Vlado Clementis, the Slovak Communist politician and Foreign Minister of Czechoslovakia…. On February 21, 1948, Communist Party leader Klement Gottwald addressed a massive crowd from a balcony at the Kinsky Palace in Prague during the Czechoslovak coup d’état. Standing next to him in the cold was Vlado Clementis, who handed his fur cap to Gottwald to keep his head warm. Clementis later fell out of favor with the regime during Stalinist political purges, was accused of “bourgeois nationalism,” tried, and executed by hanging in 1952. State censors airbrushed Clementis out of official photographs and history books so it would appear a

The man erased from the 1948 photograph is Vlado Clementis, the Slovak Communist politician and Foreign Minister of Czechoslovakia….

On February 21, 1948, Communist Party leader Klement Gottwald addressed a massive crowd from a balcony at the Kinsky Palace in Prague during the Czechoslovak coup d’état. Standing next to him in the cold was Vlado Clementis, who handed his fur cap to Gottwald to keep his head warm. Clementis later fell out of favor with the regime during Stalinist political purges, was accused of “bourgeois nationalism,” tried, and executed by hanging in 1952. State censors airbrushed Clementis out of official photographs and history books so it would appear as though he had never existed. However, the retouchers left behind the fur hat resting on Gottwald’s head. This eerie piece of state censorship was famously referenced by writer Milan Kundera in his 1978 novel, The Book of Laughter and Forgetting.

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A communist government removed an executed official from a photograph of its own rise to power. The original image showed Czechoslovak Communist leader Klement Gottwald speaking in Prague in February 1948, with fellow politician Vladimír Clementis standing nearby. After Clementis fell victim to a Stalinist political purge, an altered version of the photograph appeared without him. Another man visible in the original image was also removed. Yet the famous picture continued circulating, preserving the scene while changing who had been present. The manipulation became one of the most memorable examples of political censorship in communist Eastern Europe.

The photograph was taken on February 21, 1948, at a communist demonstration in Prague’s Old Town Square. Czechoslovakia was experiencing a severe government crisis that would soon end with the Communist Party consolidating control of the state. Gottwald, then prime minister and Communist Party chairman, addressed a large crowd from the balcony of the Kinský Palace. Clementis, a prominent Slovak communist who would later become foreign minister, stood beside him. The photographer Karel Hájek was also visible behind the main speaker. News photographs of the gathering became part of the visual record of the Communist Party’s ascent to power.

The crisis culminated on February 25, when President Edvard Beneš accepted changes that enabled Gottwald’s communist-led government to take control. The new regime increasingly eliminated political opposition and brought institutions under Communist Party authority. Clementis initially remained an influential figure within that system. He served as foreign minister after the 1948 takeover, participating in the government that had consolidated communist rule. Yet Stalinist purges soon turned against senior party officials themselves. Former comrades were accused of espionage, nationalism and conspiracy, often through politically orchestrated investigations and trials.

Clementis was arrested and eventually placed among the defendants in the notorious trial associated with former party leader Rudolf Slánský. The proceedings relied on coerced confessions and fabricated accusations. In November 1952, the defendants were convicted, and Clementis was among those sentenced to death. He was executed on December 3, 1952. The government that had once presented him as a trusted member of its leadership now classified him as a traitor. His previous public role became something official propaganda sought to conceal. Altered photographs were one means of removing evidence of his participation from the regime’s preferred version of its history.

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— @archeohistories Oct 17, 2026